I think the attraction to tube amps is the non-linear response as opposed to being linear which would defeat the purpose as semiconductor devices are very linear. I think you got things backwards. I too have compared sounds and for some reason I think a tube amp does have a unique sound that digital electronics as failed to reproduce.
Sceadwian there in #5 didn't help since he was comparing two different things: sound reproduction amps and instrument amps. For the former, you don't want distortion, and for the latter, distortion is a big part of the appeal: "Marshall sound" or "Fender sound" is mainly distortion.
As for the idea that "semiconductor devices are very linear", that's just plain nuts. Audioguru once put up a post here about some new circuit (It involved a diode, splitting the emitter resistor into two equal halves, and using a couple of large capacitors to route the AC backwards through that diode. Its inventor was talking patent and was so pleased with himself since it got the THD down to 5%. By hollow state standards, that's
hideous.) As for your "very linear" solid state devices, these are plenty hard to come by, and are not cheap.
These SiC JFETs are effectively unobtanium unless you're prepared to order several hundred devices that go for $60.00 a pop. If you got ahold of some, you'd see that these have to run at high voltages (300V at least) to keep the internal capacitances reasonably linear, otherwise they'd be worse than any run-of-the-mill transistor.
Or you could try
**broken link removed**, again, big
BUX for a device that can handle a thousand watts or more in pulsed operation. Lovely transfer characteristics, but there are none of these designed for audio. SUX, but these days SS device development is geared to switching and pulsed operation, not linear applications. You'd best stock up on those lateral MOSFETs now while you can still get them (and then only from small boutique manufacturers).
"I too have compared sounds and for some reason I think a tube amp does have a unique sound that digital electronics as failed to reproduce".
Are you discussing instrument amps again? That would definitely apply. As for reproduction amps, the "unique sound" of a hollow state amp is simply that you can finally actually
hear what you're trying to listen to. I had a Big Box, solid state amp, that I thought was pretty damn good, and which got some excellent reviews. Once I had my first hollow state design up and running, it was like getting a whole new CD collection for free. There was so much new detail that simply went unheard from that SS amp. Big Box solid state amps are plumbing new depths of sonic suckitude simply because most people out there have never heard good sound, and don't know what it sounds like.
New recording techniques aren't helping matters either.
No reason SS has to sound as bad as it does. I've designed a few that sound really good, but that means going those extra miles that the pencil-pushers won't authorize.