i'm not sure that CR1 and CR2 are a really good idea. they are within the feedback loop, but putting nonlinear devices in the signal path is usually a bad idea. i'll try this in LTspice and see if it makes any difference. having two potentiometers for setting the offset seems kind of strange too...
EDIT: ok, tried that amp out in LTspice...
in case nobody is familiar with the use of two different rail voltages (40V and 50V), it's not uncommon in high end amplifiers and pro audio amplifiers.
1) had to add a capacitor in series with the input, or the offset pot on the noninverting input (Q1 base) doesn't do much.
2) adjusted with no signal to get about 4mV offset. NOTE: there's a DC blocking cap on the inverting input, will try testing without offset pots.
3) measured idle current, outputs running 60mA which seems a bit high, but not excessive.
4) tested just below clipping at 1khz, highest harmonic is 2nd (2khz) measured -87db from fundamental, which is about .004%
5) shorted the diodes between the output devices and emitter resistors, 2nd harmonic now at -91db which is 0.002%
if the diodes are to protect output devices from inductive kick, there's a better way to do it.
there are a few other oddities in this circuit. there's a lot of 1% tolerance resistors. considering this was a lab project, it's possible to have an abundance of 1% parts, that get used in places where a 5% part would be sufficient. usually in audio amplifiers, the only place they are used are in the feedback loop, where you want the voltage gain to match exactly in multiple channels.
second "oddity" is the current sources. they don't have anything as a reference, except a resistor. this makes for a "sloppy" current source.
third is the compensation caps, they go to ground rather than from B-C on the voltage amp.
4th, output stage biasing done by a huge string of diodes, and they're not thermally coupled to the output stage's heat sink.
5th, feedback taken from the outputs, and the center of the bias stack. usually connections from output to driver or predriver midpoints can cause catastrophic failures if one of the output devices shorts (as in "all the way back to the diff amp")
6th Q3 is "excess baggage", and it's sole purpose is as a current source for the offset controls.
7th the use of several RC networks in the feedback loop are there to alter the frequency response to resemble the response of tube amps. its better to do any equalization/tone control functions in a preamp.
8th the output of the voltage amp and it's current source seems to be a bit strange in the way it's done, and there's no capacitor between the two ends of the bias stack, so the drivers and outputs aren't exactly getting a symmetrical drive signal.
8th inductors in the diff amp????????
INITIAL TEST:
Av=52.77
Pout=71 watts into 8 ohm load
THD=.0045% @ full power
clipping not symmetrical, with + side clipping first, and 5 uS of recovery time.
edit: pretty good amp design for 1973. i just spent a couple of hours changing small stuff to see what would happen... negative half has a tendency to oscillate, which is visible as some ringing when it clips. that oscillation tends to crop up when any significant changes are made. stability is always the hardest part of designing amps.... you have to work real hard to keep it from becoming a transmitter...