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Tv screen frequency

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abbarue

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A question I have is:
What frequency does a TV screen give off when the screen is say all white.
If I could tune a reciever to low enough frequencies at what frequency would
I pick up the TV screen.
The reason I need to know this is I want to know if I can produce different
frequencies using a tv screen as a special type of oscillator.
I would just display a certain image on the screen and produce an oscillator
frequency with the screen.
I don't know if anyone has tried anything like this before.
This is very important for new research I am working on.
Thanks for any input.
 
maybe you're thinking of video level difference from baseline to solid white? **broken link removed**
 
There was a spy technique in the old CGA display days of syncing an oscillator in a receiver to the line frequency then reading the received blips caused by the on/off of the colour gun as an image. Rooms were screened to prevent this from happening. So it is an old technique, I have seen a utility for a Casio watch which flashed the screen to send data to the watch, again very old.
 
I know the screen always scans at the same frequency but if one were to say
light up every second pixel on the display wouldn't the readings from a
distance be half the scan frequency?
And that was my main question. What is the scan frequency of a modern
colour tv set? Is it still about 15,000 hz?
 
OK a better explanation of what I'm looking for,
and my understanding of how a tv works.
Each of the 3 electron guns sends out pulses of electrons at a certain frequency, and then those pulses are bent by electro-magnets so they strike
the screen at a certain point(screen pixel). Those pulses of electrons are also regulated in intensity to give you different levels of brightness for each pixel.

Now there is a fixed frequency at which those pulses for each gun are produced. I need to know what that frequency is.
If those pulses were alternated between full brightness and least brightness,
then from a distance the pulse frequency would seem to be half what it really is. And by using longer full and least brightnessess, one should be able to get
1/2 1/4 1/8 ...etc. the pulse frequency, observed from a distance.

The reason I need to know this is, I am researching the effects
these frequencies might have on an individual standing in the line of fire.

Thanks for the help so far. Harold.
 
abbarue said:
OK a better explanation of what I'm looking for,
and my understanding of how a tv works.
Each of the 3 electron guns sends out pulses of electrons at a certain frequency.

Your understanding is faulty, the electron guns don't send out pulses of electrons - they send out a continuous stream of electrons, which is modulated by the brightness at any particular point.

You are also incorrect thinking about 'pixels', CRT's don't have pixels, they are a completely analogue device.

However, they do have a resolution, because of the coloured phosphor dots on the ins1de of the screen and the shadowmask.

For a 625 line PAL TV the line scan frequency is 15,625Hz, NTSC 525 is slower, but I've no idea what it is?.

But as your entire premise is flawed I suspect your 'research' is not looking good?.
 
Canada uses the NTSC standard, same as the US does. Given that here's a neat link that explains a fair amount: http://www.ntsc-tv.com/ntsc-index-02.htm

NTSC Basic Parameters
line/field = 525hz / 60hz
horizontal frequency = 15,734.2637 hz
vertical frequency = 60 Hz
color sub carrier freq. = 3.579545 MHz
video bandwidth = 4.2 MHz
audio carrier = 4.5 MHz (FM)
video frames = 30/sec.

As for using the term "pixels" on a CRT, while technically incorrect, it has become commonplace to refer to individual phosphor dots as pixels as CRT technology advanced over time.

**broken link removed**
 
Nigel Goodwin said:
Thar seems rather strange?, it's identical to the mains frequency of the country in question, so 50Hz in Europe and 60Hz in America.
I agree, thar does seem strange, but apparently the (monochrome) frame frequency was originally 60Hz, with a corresponding line frequency of 15750 Hz, but now it's as stated above. The first Google hit for NTSC line frequency has the full story.
 
Yes, the North American black and white TV image was sync'd to the 60Hz mains, but the colour NTSC vertical signal is a little slower.

If you modulated every even "pixel" on and every odd "pixel" off, then the frequency would be about 2.0MHz. The interlace messes up what would happen if you make the top half of the screen white and the bottom half black. Then you would have a low frequency of about 120Hz.
 
Nigel Goodwin said:
Thar seems rather strange?, it's identical to the mains frequency of the country in question, so 50Hz in Europe and 60Hz in America.
Fsc=3579545 Hz. Everything else is based on this.
The field rate is Fsc/227.5/262.5 ~ 59.94 Hz
There are 227.5 cycles of subcarrier per line, so that subcarrier (of constant phase) would make a fine (hopefully unobtrusive) checkerboard on a black and white TV, and/or so a comb filter could do a halfway decent job of filtering subcarrier from luminance (and vice-versa).
As we all know, alternate fields are interlaced to make a frame, hence the 262.5 lines per field.
 
Yes, the North American black and white TV image was sync'd to the 60Hz mains, but the colour NTSC vertical signal is a little slower.

That's not correct. Televisions have always had sync separators to pull out the vertical and horizontal sync pulses and the TV synchs on those, not the power line frequency. Too many areas had their own power generation facilities that were not connected to the grid, especially in the earlier days of television, and a picture would never sync to the transmitted image if that statement were true. And battery-operated TVs would really have problems, wouldn't they?

Dean
 
Dean Huster said:
Yes, the North American black and white TV image was sync'd to the 60Hz mains, but the colour NTSC vertical signal is a little slower.

That's not correct. Televisions have always had sync separators to pull out the vertical and horizontal sync pulses and the TV synchs on those, not the power line frequency.

You've misunderstood the original quote, the TV isn't synced to the mains (as you say the TV is obviously synced to the received signal) - it's the transmitted signal that is 'synced' to the mains - it might not be directly, but it is synced to prevent moving hum bars on the receiver.

Although the hum bar problem disappeared many years ago!.
 
tv sync

Read some interesting tv stuff here , i started serving my time in the tv trade in 1969 back then tv was mostly valve (tubes us ) in the workshop was still to be found a lot of vintage sets these where mono 405 line with fm video and am audio now it wasnt just as simple as switching on the set some of these monsters had as many as 15 user controls , now most of these early sets where synced of the mains power so when a set was switched on the brightness was turned fully low and the audio volume to mid , as the set heated up and audio was heard you would advance brightness to see a picture , now if your home was powered on a differant power station or phase then the picture would be out of sync vertically and horizontily so you would then adjust hor and ver controls to match the sync of the transmitter studio . Now sometimes at night owing to demand power stations would change taps in there substations or connect to another phase this would mean that your tv would go out of sync and need readjusted this is where the term " the sets on the blink come from "!

the modern sets employ sync from the studio via sync separator and also an ossilator called flywheel to ensure sync when tuned of a station to avoid a nasty burn on the crt tube face phospher, infact most second hand sets back then had small burn marks centre tube because they forgot to reduce brightness during switchoff : anyone over 45 will remember the bright white dot on the screen when the set was switched off

some other controls common on these sets where
local/distant = as sets didnt have auto gain control
spot wobble = the crt beam would be modulated in the vertical to produce a smother picture
audio offset = separate audio fine tune to clear intercarrier buzz in strong signal areas
 
jakester said:
Read some interesting tv stuff here , i started serving my time in the tv trade in 1969 back then tv was mostly valve (tubes us ) in the workshop was still to be found a lot of vintage sets these where mono 405 line with fm video and am audio now it wasnt just as simple as switching on the set some of these monsters had as many as 15 user controls , now most of these early sets where synced of the mains power so when a set was switched on the brightness was turned fully low and the audio volume to mid , as the set heated up and audio was heard you would advance brightness to see a picture , now if your home was powered on a differant power station or phase then the picture would be out of sync vertically and horizontily so you would then adjust hor and ver controls to match the sync of the transmitter studio . Now sometimes at night owing to demand power stations would change taps in there substations or connect to another phase this would mean that your tv would go out of sync and need readjusted this is where the term " the sets on the blink come from "!

Sorry, but you're talking complete rubbish! - sets have ALWAYS been synced off the incoming signal - the reason for frequency adjustment of hold controls was a poorly maintained TV, and the fact they used valves - which drift all over the place!.

You don't have you country filled in?, but the UK 405 system was AM video and AM sound, no FM at all. Later (and current) 625 line TV is AM video and FM intercarrier sound (6MHz in the UK, and 5.5MHz elsewhere).
 
Nigel Goodwin said:
You've misunderstood the original quote, the TV isn't synced to the mains (as you say the TV is obviously synced to the received signal) - it's the transmitted signal that is 'synced' to the mains - it might not be directly, but it is synced to prevent moving hum bars on the receiver.

Although the hum bar problem disappeared many years ago!.
I don't think that Dean misunderstood anything, the original remark was badly expressed.
 
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