Happy Easter!!!
Spec: Thanks, a LOT of useful information. I am a bit afraid to slaughter my baby, since I've much else to do and used up 2 weeks on this already! But I do want to experiment with comparator ideas, I'll post what ever I learn.
audioguru: Yea.., that noise generator is not really there. I now using it on another part of the circuit. Normally I would wire it as a ground-voltage-follower.
bountyhunter: I kept upping the value of the "big" cap to get more 'sustain' time. I had a backup plan to add a transistor driver to boost it to more like 100mA, but decided to test the other circuit out first, and it appears fast enough. I attached the back-up schematic if it proves to be to slow.
View attachment 98536
The resistor R1 is there to make sure the input cap doesn't fry the op amp input on power down if it is fully charged. If I decide to use a larger cap there, this could be important. Either way 1K should only make about 1% difference in signal level. If I need to later reduce the gain, I can use that as half of an input voltage divider. This will be fed with a signal of about 24 volts peak-to-peak for maximum headroom, normal signal levels should only peak at single-digit volts.
I'm trying to keep the number of types of op amps down as well as the cost so I am using an op amp that isn't ideal for rectifying but good enough. The LM224's I'm also using because they can put out at least 20, typically 40 mA, enough to drive any LED, and I have a drawer full of them I got real cheap.
As for the application, I am specifically going for a peak meter with a long hold time. I
love analog meters as much as I love the old blue Nat Semi books, but they are hard to see at a distance, expensive, delicate, and seldom show less than about -20 dB unless they are very large. While averaging VU meters are great for mix-down use etc., these meters are specifically for setting a gain level for a preamp that will go into a digital recorder only, where clipping of any sort is not an option. They will not me mixed, compressed or eq'd. All the volume adjustments will be done post-recording. I only want to set the level for a maximum signal without clipping, and occasionally would like to see something around -30 to -40 dB to verify I am getting a signal without going to the mic and tapping it. Having done this a bazillion times using meters on commercial equipment, I think that this will allow me to do this task more quickly and focus on other tasks.